Tag archives for Stig Björkman

Shorts program highlights

The sampling of recent shorts featured everything from brief animated sequences like Johannes Nyholm’s Dreams from the Woods, to Stig Björkman’s documentary and almost-to-long-to-be-a-short Images From the Playground.

The latter shows snippets of film shot by Ingmar Bergman (with his home camera). The outtakes and behind the scenes footage from sets and vacations is set to interviews with Bergman and his leading ladies. The film is centered around each of them: Harriet Andersson, Bibi Andersson and Liv Ullmann. Bergman says of his trinity of actresses, “We’ve had intense personal relationships, roles and films have been shaped by that.” Such revelations are more or less what one would expect. Others may surprise the audience, such as the tidbit that Bergman, master of severity, liked to ham it up to amuse his cast, among other things by imitating Groucho Marx.

Jonas Odell’s Lies (awarded at Sundance) a semi-animated short in three chapters in which three liars tell stories of big and small lies they’ve told in their lives is fascinating both to look at and listen to.

Good Advice by Andreas Tibblin is another poignant story: A chubby boy, Rasmus feels he falls short of his gym teacher father’s expectations. In the privacy of his room, where astronomy posters decorate the walls, he records a tape for his unborn brother, giving him advice for how to best live with his parents. Advice Rasmus wants to impart as he will not be there to give it in person; he is about to run away. The frantic search that follows and Rasmus’s advice in things big and small, is humorous as well as heart-wrenching.

The Last Days

We’re coming up against the last few days of the Swedish film weeks at Lincoln Center. The much anticipated The Girl Who Played with Fire will close the program on Wednesday May 4. I would tell you to see it, but tickets sold out two weeks ago.

Another screening not to be missed is the selection of New Shorts this Friday, April 30 at 5.30 pm. It includes Stig Björkman’s Images from the Playground, a portrait of Ingmar Bergman that includes clips from Bergman’s own home movies. Jonas Odell’s Lies is another highlight.

There are also some truly amazing Swedish classics scheduled: These include A Swedish Love Story, Roy Andersson’s beautiful and tender film of two teenagers in love (and a great portrait of teenage Stockholm in 1969) which will play on Friday, April 30 at 9.15 pm, as well as yet another screening of I Am Curious (Yellow) on Friday at 7.20 pm.

Kay Pollack’s social realist Children’s Island (Friday 3.15 pm and Sunday 5.40 pm) as well as Bergman’s Fanny and Alexander (Sunday 8 pm and Tuesday 1 pm) also deserve special mention.