Tag archives for Bon magazine

The most glamorous night of the year

I am back. With “I”, I mean Daniel Björk, who will be writing this blog together with Sabrina for a while. This is my report from last night’s “Ellegala”.

Even though I’ve been on the jury of the Guldknappen award there’s no denying that it is the annual Swedish Elle Awards that is the glamour-puss of the two. First of all, the setting in the luxurious winter garden in Grand Hotel makes for a great backdrop with it’s gilded interior and Versailles-like ambitions. It is also the industry awards in many ways, because Elle hands out awards for Photographer of the Year and Stylist of the Year. Read more » >>

To Swedes, New York is the new Thailand

A snapshot from my trip to New York.

Apologies for my slight absence… I went on holiday to New York City and Toronto, and didn’t even have time to even say, “Hej då!” But while my trip gave me some much needed rest, it also offered more insight into how Swedish fashion is perceived abroad. And so without further ado, here are a few random things I discerned: Read more » >>

Swedish fashion publications

An image from the book Nordic Women in Chanel. Photo: Peter Farago and Ingela Klemetz Farago

One way to get to know a country’s fashion scene is by reading the publications that come out of it. And with that I mean both magazines and books.

Back in the day, there used to be a magazine called Stockholm New, which turned more and more into a fashion publication as the years passed, but it is now defunct. There was also Bibel, the fashion mag that in many ways ignited interest in fashion in Sweden and made it “hip”. Had they been out today I would’ve told you to get a hold of them.

So what is out there these days? There are the big titles such as Swedish Elle, which together with Damernas Värld (and especially their “fashion only” title DV mode, which comes out three times a year) form the commercial nexus of Swedish fashion media. Perhaps we should add Plaza Magazine to this mix, which during the last decade has been constantly rising in stature.

These days, I mainly work with Bon Magazine, a quarterly magazine in Sweden and a biannual one internationally. I also write for Rodeo Magazine’s website and they are also doing a biannual these days, in Swedish though.

The closest we have to a Stockholm New would have to be Stockholm S/S/A/W which catalogues the collections each season.

On the men’s side there are mainly two titles, Café and King Magazine, both of them geared towards a mainstream audience.

When it comes to books there are a couple of books in Swedish that might be interesting, should you be able to read it. For a good overview of Swedish fashion writing, try Sexton svenska texter om mode, an anthology of 16 fashion articles, including two by yours truly.

Susanne Pagold used to write about fashion for Dagens Nyheter, the main morning paper in Sweden, and she wrote a book called De långas sammansvärjning (The conspiration of the tall), which is a very interesting time document when it comes to the slightly defensive and negative tone people used to employ when writing about fashion before the Noughties. For a counterpoint, Martina Bonnier’s Fashionista is a style guide from the editor-in-chief of Damernas Värld, and earlier this year, Sofia Hedström, my colleague at Svenska Dagbladet, released Modemanifestet: de stilsmartas handbok, a book about a global movement for using clothes more responsibly.

There are obviously photography books as well. Thomas Klementsson is a friend of mine but also a brilliant photographer and I wrote the foreword to his book Arkiv. Currently I’ve just rounded up work on a forthcoming book by Carl Bengtsson who has been working since the Seventies – photographs will be exhibited at Röhsska museet in Göteborg in September. These are only two recent ones. I could add the upcoming book with Chanel clothes and Nordic models which has been produced by Peter Farago and Ingela Klemetz Farago, and which also will spawn an exhibition at Fotografiska, opening on July 1.

So far I haven’t written a book myself, partly because I’ve never really been interested in writing a style guide or anything else that is supposedly commercial enough. But who knows, things might change… I did have a good idea the other day, but I’m not promising anything.

Camera shy they ain’t

A model wearing Yves Saint Laurent haute couture from 1978 in Candy Magazine. Photo by Andreas Larsson.

I first came in contact with Andreas Larsson when I, together with some friends, made an independent, arty fashion publication. This was in the early 2000s and Andreas shot a men’s story for us. During that time he was very influenced by the prevailing documentary fashion photo inspired by art photography that became big in the 1990s.

Some time after that I recall him telling me that he had decided to start working with real models, mirroring the fashion world’s move towards more obvious beauty, which was a main story during the 00s.

Since then Andreas has moved up in the world, these days shooting advertising for Lanvin menswear and working regularly with Dazed & Confused, Fantastic Man, 10 Magazine, Bon Magazine. Just to name a few.

I asked him to send me a photo that he liked at the moment and he sent me this shot from Candy Magazine, a fashion magazine for transvestites, drag queens and transsexuals.

Andreas’ story is not uncommon for Swedish photographers working in fashion. Come to think of it there are many great ones from Sweden. The most successful one is of course Mikael Jansson who is one of a few elite photographers working at the absolute top level – regularly shooting campaigns for Calvin Klein and the top Vogues.

There are others. John Scarisbrick shot for legendary fashion and pop culture bible The Face in the 90s while Polish-Swedish Kacper Kasprzyk has landed both prestigious campaigns such as Yves Saint Laurent menswear and lucrative ones – this spring he’s shot the Gucci eyewear campaign. Needless to say, he also works for high-profile publications (Harper’s Bazaar, Another Magazine, Vogue Japan).

And that’s just the guys. Martina Hoogland Ivanow is as much an art photographer as a fashion photographer, if not more so. But with a Prada campaign on her CV you can’t escape naming her as one of Sweden’s top names. Camilla Åkrans is soon rivalling Mikael Jansson in stature with her work for Numéro and campaigns for Missoni and Sisley. Lina Scheynius’ soft and intimate style has been making waves for a few years now, while Louise Enhörning is another female photographer whose forte is to capture the beauty of teenage girls in a respectful way (a talent that landed her jobs for Teen Vogue).

When you start looking at fashion photography from Sweden, I think it’s difficult to say that there is a certain style. In this I think it says a lot about the restrictions on Swedish fashion when people have to sell clothes to the Swedish public. When creative fashion people from Sweden can do as they like and they have a global audience, the style they develop might sometimes be minimalist, but many times it is as much a break with this aesthetic as anything else.

The importance of the fashion media

One of the editors in chief, Lisa Corneliusson, with the new issue of Rodeo.

It was a true hipster gathering when fashion magazine and site Rodeo relaunched its print version yesterday. I used to work closely with the magazine but these days I’m just writing for the site, as I’m involved with their competitor Bon.

In any case, I don’t think you can underestimate the impact of a few titles on the Swedish fashion scene. One in particular is always mentioned, called Bibel (literally “Bible”), a magazine which came out for two years between 1998 and 2000 before it was closed down. Bibel made it cool to like fashion – even though the magazine could be quite extreme in its aesthetical vision. It was on the pages of Bibel that I started to write, so naturally I remember it with fondness. Both Rodeo and Bon are in many ways children of Bibel, even though it may be more correct to say that all of these titles have been following in the footsteps of British fashion and pop culture magazines such as The Face and i-D.

These magazines, Bibel, Bon and Rodeo among others, have been reviled by some and revered by others. “Elitist”, “too trendy”, “too hip”, “stuck up”. I understand these opinions but in a world of mass marketed junk, there will and should always be a place for magazines that want to find what “the new” and “the now” is.

It is these magazines, in my opinion, that have been crucial in keeping the Swedish fashion scene on its toes and pushing it in new directions. Sometimes they have been detrimental (there can be group think) but without them Swedish fashion wouldn’t have the same cool.